Screenwriting. Neo-noir. Crime. Tech. Thriller.

I love writing Neo-noir stories that are visually engaging for the audience and the reader.

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Selected Work

Remora

You buy from an influencer... A data engineer, a drug kingpin, a credit-stealing boss. Two know your entire life. One tip? Neither is the boss.

Type:Series Pilot
Genre:Thriller
Status:Shopping
Year:2025

Port of Ambitions

Set in 1980s, a young man moves to a small town in California with the dream of a better life. But when he gets there, he finds himself in the middle of a drug war between the ruling mob and the rival family that shares the same territory.

Type:Feature Screenplay
Genre:Crime/Drama
Status:Completed
Year:2022

House of Cards

Set in post-Brexit Britain, this revival of the classic series follows a Machiavellian first-term MP, fuelled by the resentment from the Thatcher era, as he writes his name in the history books. How? Ensuring his own nearly-dead Conservative party never gets back in power.

Type:Series Pilot
Genre:Political Thriller
Status:In development
Year:2025

Writing Samples

Remora (pg. 1)

A DIGITAL ADVERTISEMENT WITH A RADIANT YELLOW BACKGROUND

A picture of a stunning black woman posing with an iPhone. The product, an app-- HEXA! The platform for influencers.


INT. NIGHTCLUB - NIGHT

The advertisement shines on a massive screen, brimming yellow over a stage.

Techno-electro music blares as balloons soar over an antsy crowd of newly minted nerds, startup yuppies having the time of their lives.

Fluorescent bracelets, horns rocket into the air.

Back to the screen, a digital mascot BUZZER the bee! shows her skills at the disco.  Buzzer glances up and flies the hell out of the way before --

Large letters plunge from above: HEXA Q4 PARTY.

Angel investors in drab suits occupy the bar; one or two rounds for them, they have to make money tomorrow.

                    UNO (V.O.)
            I’m a parasite.

At a remote stool, a nervous foot patters on the stool leg.

                    UNO (V.O.)
            A stiff working through the nights
            so you can watch your energy-
            draining influencers--

The stool seat cups a pair of faded blue jeans.

                    UNO (V.O.)
            --and buy their overpriced merch
            without setting foot off your
            parents’ couch--
     
A backpack grips a man’s curled spine.  This man’s name is Bruno “UNO” Moralez, the forgettable high school geek now armed with a steely gaze.

                    UNO (V.O.)
            --until you drown in your debt.

Uno sighs, staring at the people of his age dancing with sweaty drinks in their hands.

House of Cards (pg. 1)

EXT. WHITEHALL - DAY

Grey clouds roll over the blue sky.  Below it, a quiet sea of berets and medals stands static around the Cenotaph.

The morning wind hisses, the air knitting the Commonwealth flags together, the Union Jack snapping like a whip.

The veiny hands of a hatted man, the King, lay a striking red wreath at the feet of the memorial.

Next to a queue of silver foxes out of their Westminster caves-- a fresh, young face stands out.  BEN SHATTUCK, 30s, carrying a York charm on his looks like Richard III, a flawless and crafted King’s English on his lips.

                    BEN
              (to the camera)
          Remembrance.  You’ve got deep
          nihilism from right-wing 
          nationalists who don’t know
          nationalism is a left’s invention,
          and whine from left-wing top one
          per cent who say we should tax the
          rich, but don’t consider themselves
          rich enough to be taxed.  But today
          we all play dress-up and pretend
          we’re not at each other’s throats.
          The world has been far less of a 
          mess since those poor bastards gave
          their lives for the order we’re
          determined to squander.

A man in a sombre black suit and tie traverses to the Cenotaph.  STEPHEN KEISER, 50s, a Labour so allergic to Tory blue no one would even notice if he wore it.

                    BEN
          Stephen Keiser - a man with the 
          sympathy of a log, the soul of a
          spreadsheet, and the compassion of
          a parking warden.  He won the
          country by promising a kinder
          nation, but look at him...  he
          mourns the dead with the same grim
          efficiency he uses to balance a
          broken budget.  But the man who won
          a four-hundred-and-three majority
          over my party deserves my respect.

Ben sighs white through the freezing air, fixated on a woman in a black Crombie coat as she lays her wreath.



                    BEN
          I’ve never been invited to
          wreath-laying before though.  I
          wonder why...  Perhaps they’ve
          forgotten how I show my 
          appreciation for our soldiers --

Ben raises his red wreath, hooked by his middle finger.

                    BEN
      Welcome to London.

These excerpts showcase my approach to visual storytelling and character development. Each scene is crafted to be both cinematically engaging and compelling on the page.

About

I am a software engineer who broke into the tech industry at the age of sixteen. I have worked in a variety of industries, from finance to governance, AI, and more.

My most recent work is a pilot called "Remora", a thriller about a nihilistic data engineer who makes a pact with a drug lord to supply the cartel with vulnerable user data for his credit-stealing boss' position in the startup company.

Focus areas

  • Original screenplays
  • Television pilots
  • Character development
  • Script consulting

Contact

I'm available for new projects and collaborations. Whether you're developing original content or need script consulting, I'd be happy to discuss how we can work together.

leo.lemos.ds@icloud.com